Angels with machineguns? More like ex-angel with machineguns. As in, one lonely angel against the armies of God. Who ya got?
In this case, the fallen angel is one Michael (Paul Bettany, taking a break from more high-minded stuff to go genre), who has gone rogue in order to save mankind. As Michael relates, God has given up on us lowly humans, and has sent his angels down to Earth to take out the trash. It’s not an apocalypse, with rain, fire, brimstone and all that good stuff, but more of an extermination, and the angels are God’s exterminators. The first to go are the weak-minded among us, who are taken as vessels by the angels to do the dirty work. So basically you’re screwed if you watch the E! Channel for more than 10 minutes a day, or thinks “Two and a Half Men” is funny. Zing! But back to our movie.
A wingless Michael lands in L.A. in the midst of God’s housecleaning, promptly grabs two duffel bags fill with machineguns, and hightails it out into the California desert. Meanwhile, at the lonely, isolated diner of Paradise Falls, gimpy proprietor Bob (Dennis Quaid) and his son Jeep (Lucas Black) eke out a miserable existence, both financially and emotionally. Jeep only has eyes for Charlie (Adrianne Palicki), a waitress at the diner who is eight months pregnant, the father of the child having gone with the wind. It’s here at Paradise Falls that the final battle for mankind is about to take place, involving a select group of disparate people, including lost traveler Kyle (Tyrese Gibson), short order cook Percy (Charles S. Dutton), and couple Howard (Jon Tenney) and Sandra (Kate Walsh) and their rebellious daughter Audrey (Willa Holland).
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Saturday, March 6, 2010
Legion Movie 2010 download
0 comments 8:10 AM Posted by Speaking in BlogLabels: movie, multimedia
Saturday, July 25, 2009
Digging a grave in a short-URL wor.ld
0 comments 10:59 PM Posted by Speaking in BlogLabels: multimedia
The Web is full of middlemen and aggregators. Google is the biggest. Digg once was the coolest. And now Twitter and URL-shortening services create (mostly) transparent bridges between Web content, like news stories, and online readers.
People both love and hate these go-betweens. On one hand, sites like Digg, Facebook and Twitter give readers access to all kinds of news and social content they might not otherwise see. But small changes can make a benevolent middleman seem downright meddlesome.
And that’s what happened to Digg this week.
The Web 2.0 rock-star site — which lets a community prioritize news stories by voting them up or down — is drawing fire from tech blogs for sticking itself between its links and the news stories it promotes. A confusing change to the site’s service caused some shortened story links to redirect to Digg’s pages, rather than to the original pages on blogs and news sites.
Don’t get bogged down in the details of the change. Part of the problem is that the change is confusing to everyone. TechCrunch writer Jason Kincaid calls the move “career suicide” for a Digg toolbar and “incredibly irritating” to users.
On its blog, Digg says it backed off of the change somewhat, making it only apply to future news stories, not retroactively to all Digg-shortened links.
But part of Digg’s problem is that the site is overly responsive to criticism in a way that obscures its vision of the future, writes Josh Lowensohn of CNET, a CNN.com content partner.
Behind the Digg story is another fear: that other go-betweens, particularly URL shorteners, will start similarly bothersome practices in order to direct more traffic to their sites. [See a new chart of the top sites for sharing URLs: Facebook leads with nearly a quarter of the market.]
Right now, sites like bit.ly and snurl.com take Web links and shorten them so they’ll fit in Twitter posts or e-mails without taking up too much space. Click on one (this for example: http://bit.ly/iqfI) and you go straight to the original site. These services may outcompete Digg’s linking service because of their simplicity and reliability, writes Michael Arrington of TechCrunch.
But there also could be a future in which all links must pass through a middleman site, thus slowing down search for online news and entertainment down.
source by CNN
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Thursday, July 23, 2009
New Features on Final Cut Studio
0 comments 2:18 PM Posted by Speaking in BlogLabels: multimedia
Cupertino-based Apple has announced today the release of an updated version of Final Cut Studio, which comes with more than 100 new features when compared to the previously available version. In addition, the company also released new flavors of the Final Cut Pro, Motion, Soundtrack Pro, Color and Compressor. The app comes with the Final Cut Pro 7, meant to widen the Apple ProRes codec family to offer support for almost any workflow, and which comes with Easy Export to deliver output to a variety of formats, and with iChat Theater to enable real-time collaboration.
“With 1.4 million users and 50 percent of the market,* Final Cut Pro is the number one professional video editing application,” said Philip Schiller, Apple’s senior vice president of Worldwide Product Marketing. “The new Final Cut Studio includes more than 100 new features and dramatically expands Apple’s ProRes family of codecs so editors can work in the studio with the highest quality video or on location at low bandwidths.”
Final Cut Pro 7 comes with ProRes Proxy, enabling offline and mobile editing at low bandwidth, with ProRes LT and with ProRes 4444, the latter delivering the highest quality possible when it comes to editing and visual effects. With Easy Export, users will be able to continue the work on their projects while the encoding goes in the background, and exported to YouTube, MobileMe, iPhone, iPod, Apple TV, DVD or Blu-ray. Final Cut timelines can be shared with iChat Theater, and there are also a series of new tools for modifying clip speed, for alpha transitions and more.
Motion 4, comes with improved tools, including 3D shadows, reflections and depth of field, providing great animation tools for video editors. At the same time, Soundtrack Pro 3 comes with new audio editing tools, such as Voice Level Match, and an improved File Editor. With this tool, users will be able to do sophisticated editing and fine tune adjustments, while the new Advanced Time Stretch includes stretches and can compress audio using Apple-designed or third-party algorithms. Soundtrack Pro along with Compressor are part of the new Logic Studio, the company adds.
Other solutions available with the Final Cut Studio include Color 1.5, a professional grading application, as well as Compressor 3.5, which is able to encode and deliver in multiple formats. Color 1.5 comes with 4K support and can work with files from cameras, while also featuring high-quality formats like AVC-Intra, XDCAM 422 and ProRes 4444. Compressor 3.5 is capable of detecting QuickTime settings, and sports customizable sharing options, menu templates and encoding presets.
Final Cut Studio can be purchased online via Apple's Store, through Apple’s retail stores and Apple Authorized Resellers, and features a price tag of $999 (US). Final Cut Studio and Final Cut Pro users performing an upgrade will find it available at the price of $299 (US).
source by SoftPedia
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